Emmilou Roessling
Work
Info
Dates
Work
The Longest Sentence*
Untitled (I-III)
Day Sculptures
15th of September 2022
The Planets
Copernicus Drift
Spheres
Wrapped Paintings
The Fraternity
Fluff
Water Cooler Chat
Cascade
Press
Info
Dates
![](https://freight.cargo.site/t/original/i/a71266d7ffb079d9ce33bdd9afbdd0d6337f4ca85ce4d159870af3f26afd54fd/imdoku_emmilou_08.jpg)
![](https://freight.cargo.site/t/original/i/001442bc976469d759240469f712bdc07c421b6bdf1211cdbda00ceee6b04e3b/imdoku_emmilou_07.jpg)
![](https://freight.cargo.site/t/original/i/dea0121294d58499b02560e79f8d4b564679d2dec040e554e1e7010326cfefb6/imdoku_emmilou_09.jpg)
![](https://freight.cargo.site/t/original/i/c112d5896536bf7afed801960ab1e7cdc4183f2307cede5d974581bd9d44a19c/imdoku_emmilou_06.jpg)
Untitled (I-III), 2024
Photogramm
each 106 x 138cm (framed 108 x 140 cm)
Untitled (I-III) is a series of three photograms of the same hand knotted wire mesh exposed on Foma paper. The technique of photogram includes both the literalness of the exposed object as well as the reduction to its silhouette.
The wire mesh is captured by the time-sensitive technique instantly. The work juxtaposes invested time with the instance of capture. Myriads of small loops are repeated over and over again. In parts the image seems to disappear into a blur, seemingly less concerned with what it is one looks than the act of looking itself. Here, the structural precision of Untitled (I-III) becomes a mere layout upon which form can be projected.